Anders
Lustgarden’s new show Lampedusa tackles a problem we all seem to be constantly
preoccupied with – “them bloody immigrants”. A political activist known for his provocative
plays, Lustgarten was definitely a good choice for this piece, commissioned as part of the
Soho Theatre’s political party season. Now, I have casually mentioned that I
have now taken up training as an actress. I have, in this context, been going
to a lot of plays. I can’t afford to do it as voraciously as I watch films but
it’s a start! I have always ever been a film critic. I have a Masters degree in
Film Studies and thousands of hours of viewing to base my opinions on.
Therefore I am rather nervous holding forth about a form of art in which I am
very much a novice. That said, I have a rather unique perspective on this play.
It filled my head and heart so much, I had to share. So here we have it, my
“review”... Now, to understand why I feel this way, you need to know a bit
about me. More importantly you need to know what I had been doing that morning.
Bear with me for a paragraph – and trust me, it all ties in with the play.
The thing
is, I am an immigrant. Let me clarify
that, I’m not exactly the kind of immigrant you see on tragic stories on the
news. I didn’t come over in a small compartment of a truck or a tiny boat
crossing a stormy sea. I flew over on a plane and – thanks to my inherited citizenship
and UK passport – swanned in through border control and started my life in the
UK. Half English and half Turkish – doomed to be a Turk here and an
Englishwoman in Turkey – I grew up in Istanbul. I now work as a waitress on a
zero hour contract even though I have a master’s degree and speak four foreign
languages. There are a variety of reasons for this, I have a rather strange CV
(combination of some unfortunate educational choices and professional
experience in companies back home in Istanbul that people can barely pronounce,
much less accept as legitimate previous experience) so an office job, try as I
might, was a closed door. I had to eat somehow. So I wait tables. Oh it hurt my
pride at first… But I’m over “it” and you should be too – the way I see
it you have an office job you don’t particularly like and I have a non-office
job I don’t particularly like. Besides, I write, I train to be an actress, my
life is very, very full. The day I went
to see Lampedusa, I had had the first job interview – for an office job – I had
had in years. Don’t hold your breath, I blew it. I was a nervous, tooth-sucking
wreck. As I write this post I don’t know the result of the interview but based
on my performance I wouldn’t give me the job. I didn’t cry per se on my way
back but, full disclosure, there was a bit of excess moisture here and there. I
left home for a variety of reasons and ranging from the intensely personal to
the political situation of my home country and all these mean I will very
probably never go back to Turkey and call it home again. But that evening I
felt beaten. I had applied to this job on a whim and heard a response over a
month later, well after I had made my peace with the fact that I had received
yet another rejection. Now all this time later a door opens, and like a fool, my
nerves and I kick it shut. That was at 10.00 a.m. The day went by in a charcoal
grey haze as I weighed up whether or not I could be bothered to make the trek
to Soho to watch Lampedusa. I almost didn’t go. Almost. But then again, I am
middle-eastern. And on a zero hour contract. Every penny I earn is precious and
I had paid for this show. I would be
darned if I would waste it.
Thus I
found myself entering the cold upper room of the Soho theatre. Interesting
layout, tiny circular stage, inches from the ground proper. No décor or props.
Benches placed in a circle around the stage – with the option to sit in stalls
a little further away. I opted for the benches, as close to the front as I
could. I then looked around me to see what my fellow spectators were doing
- and spotted the opening gimmick. Two
of them to be precise. I won’t ruin it for those who want to see it but let me
tell you, it’s good. It made me sit up and think “ok, this show was a good
choice”. And then, the show began…
Without
the aid of décor or props,
Stephano (Ferdy Roberts) and Denise (Louise Mai Newberry) tell us their
stories… Stephano lives on Lampedusa. Once a fisherman, he now fishes for a
different harvest… His job is to pull the bodies of drowned immigrants out of
the island’s stormy waters every day. Denise works on another island, the
United Kingdom. She is the hand who knocks at your door when your pay day loan
is due. She has a doctorate in desperation and squalor, regardless of the
nationality. They both have their own views on immigrants. And as they unburden their souls, they aim to
change yours…
A play that
harks back to old fashioned storytelling, Lampedusa relies on its two cast
members who tell their stories in turn, sometimes their face inches from yours,
sometimes with their back to you from the end of the room, sometimes under
lights so dim you can barely see. And yet, the electric atmosphere never flags
and I was spellbound throughout. Yes you need to get over the fact that the
characters are looking you square in the eye as they speak and that you physically
rub shoulders with them at times throughout the show. But once you are draw
“in” to this setup Mr Roberts and Ms Newberry’s unflagging energy means you are
guaranteed a whirlwind of emotion at the best of times.
But in my
case, the play resonated with so many truths. The first jolt came when Stephano
said a dead body felt like handling a slippery rubbish bag. I’ll tell you this
much, next time a supervisor tells me to take out the trash she is going to get
a very funny look from me indeed – being full of food waste a lot of them are
quite slippery. The jokes about qualified biologists and geneticists working in
kitchens also struck a chord – my colleagues are university graduates almost to
a man – though none of our qualifications “count” in the UK. I also nodded
ferociously when Denise was talking about being mixed race. I don’t look
conventionally Turkish – I am quite fair skinned and eat pork – so you’d pass
me on the street without a second thought but talk to me more than five
minutes, once you get past my Rp accent (thanks Mom) I get “Wait, where are you from?”. I make everyone who asks
guess first, with no exception. I almost never get Turkish, and after that, half
the time I get told “I don’t look it”. The odd thing is, it is almost
definitely meant as a compliment – and yet it makes me feel very weird when people
say it… What can I say, its mighty strange being a stranger in this town… But
the best bit for me came when Stephano was telling us that (I’m paraphrasing
here) that immigrants brought hope. A weird kind of hope, starry eyed and naïve
mixed with knowledge of unimaginable suffering and demons such as war and
famine hounding them so much that all they can do is leave. And hope. I wonder
if Mr. Roberts would be amused to know that there was an actual immigrant
sitting mere feet from him, feeling utterly broken. The comment did make me
think though. I had to hope. I had come so far, started from scratch, made a
life for myself that I am improving day by day… And if those in the midst of
famine and war can find enough hope to drag themselves onto a tiny boat run by
shady characters that they know full well might kill them I, with a roof over
my head and no fear of deportation, can find the strength to make it through
the day. I then went home feeling considerably less grey, went to bed early and
slept for almost 12 hours. I am pretty much my old self writing this, the next
day.
So there
you have it. An immigrants eye view of Lampedusa. I can testify to there being very,
very real bits in Denise’s story. I shudder to think how accurate Stephano’s
story is. You should go see it before it finishes. Step out of your comfort
zone. Get yourself shaken up a bit. Who knows, like me, you might even find a
bit of hope…
Curious ?Missed the show ? Check out the soundcloud recording of the text on the right hand side of this entry!
Curious ?Missed the show ? Check out the soundcloud recording of the text on the right hand side of this entry!