28 Nisan 2011 Perşembe

GROWING PAINS : "ATTENBERG"

Now, a warning to all you conservative viewers out there. This is one of those “new fangled” films. You know, one of the ones that use abstractions and weird settings to get a message across. In my opinion, however, it does it so well that even if it does grate slightly at first (it didn’t in my case) you quickly get used to it (that’s what I guess happens any way). Now, much to my shame I haven’t seen much in the way of Greek cinema, this may in fact be my first Greek film ever. However, I found it deep and I found it thought provoking – despite the weirdness going on. Oh, talking of weirdness, there is quite a lot of nudity and sex in the film as well, personally I didn’t find it disturbing – partly due to the way it’s generally handled – but still, this is not one for the kids…
Now, meet Marina. She lives in a small seaside town in Greece. In this life she has two friends, her widowed father and Bella, a girl her own age. Now, Marina’s age is actually 23, but you wouldn’t know it to look at her. On the outside, towards strangers, she seems normal enough if rather quiet. On the inside however… Well, the lack of social contact, the closed community and her sick father who doesn’t have the time or energy to take care of her, her development has been rather stunted. Thus, at 23, she is still yet to “discover” boys. Bella, who is still awkward but slightly “better off” than Marina tries to teach her the basics but Marina finds the whole thing “disgusting”. There is a problem however. Spiro, her father is dying. Since her mother has already passed away, Marina must rather abruptly begin to learn all the things she has missed out on before Spiro passes away. Otherwise, there is really no telling what might happen…
Now, sitting from the comfort of the western world, the storyline may sound a little improbable to you but in fact, well it’s exaggerated but I can quite see what they are driving at. In developing countries, or in countries where there is a tradition of strict religious upbringing or just in small isolated communities, social relations are not what they should be. Things are often “more complicated” than they should be, and more sensitive issues like intimacy and sexuality are often not openly discussed and thus well… Stunted. Not as they should be. Not having the chance to run their course and develop naturally, the behavior patterns become far from “normal”. Marina’s relationship with her father for instance – she tells him everything, including “boys”. When he asks her why she’s telling him all this Marina replies “I have no one else to tell it to.” (Bella is a bit of a flirt and thus a threat). Her father also is more “at ease” in expressing his views to her; “Sorry” he says at one point “I keep forgetting you’re not my buddy.” “That’s because you don’t have any buddies” replies Marina. So in fact the lack of social interaction is affecting Spiro too. Just with Marina it has come at a more developmental stage, affecting her outlook on many things. This is somewhat where the name of the film comes in. “Attenberg” is actually Sir David Attenborough (obviously mispronounced), and Marina and her father love nothing more than crashing on the bed together and watching his documentaries – sometimes even imitating the animals (rather indicative of the fact that Marina doesn’t quite feel “human”, she is like a different species and thus unable to “mate” with humans). And in fact Marina is quite happy with her little tribe of three, but Spiro is dying and Bella, well… They may be tribe-members but she is a threat to Marina, it is high time for Marina to grow up…
Now, at this point I have to say I am not entirely comfortable with the process of a woman’s development and maturing being almost equated to sexuality (a bit like Black Swan in fact, don’t you think? Completely different contexts of course...) but then again, I guess it is one of the real “big” signs of growing up. It’s not called the “facts of life” for nothing. And besides, the film is a wonderful essay on loneliness, love (in many shades, not just sex – we also see Marina trying to cope with her beloved father’s death) and growing up… A bit in your face with the methods but beautiful messages…

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