Yorgos Lanthimos etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
Yorgos Lanthimos etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster

5 Mart 2016 Cumartesi

ARE YOU READY TO BECOME SOMETHING NEW... "THE LOBSTER"

I saw the trailer for The Lobster some time ago. I thought it was categorically the funniest thing I have seen in years. I then, like a muppet, missed in the cinema. I was overjoyed when it came out in VOD and I actually watched it absolutely ages ago, practically on the day it came out. Its director Yorgos Lanthimos is not a household name yet – but he is getting there. And those who HAVE heard of him tend to give a knee jerk YES! Or NO! response. If you haven’t tried him out yet, you really should give his work a whirl – see which camp you end up in!



The Lobster takes place in a dystopian near future. There (as in quite a few places here, as a matter of fact), being a couple is categorically the most important thing you have to achieve in your life. However fewer invitations to dinners and awkward conversations are the least the singletons of this universe have to worry about. If you find you are single, you have 45 days to find a partner. If you fail, you are transformed into an animal of your choice and released into the wild. Now, of course the process in monitored, the moment you report you have become single to the authorities you are transported to a special facility with other singletons where you have to endeavour to find a partner. Our tale follows David (Colin Farrel) who is recently divorced. He has just started his stay in the facility and has a whole world of new characters to meet, make friends with and hopefully date. Oh the whole place looks like a slightly eccentric holiday village, but David is under no illusions. The real question is whether he will survive – and if he does, in what form…


Yorgos Lanthimos is one of those –black and white – kind of directors. You either adore him and, like me, think he is the best thing since moving images on a screen, or think he is crass, extreme and all together hard to watch. His films are definitely not for the faint of heart. In my particular case I found watching Dogtooth (the first film I ever watched by Lanthimos) a weirdly sado-masochistic experience. Yes, definitely hard to watch. Harder than a lot of things I have ever seen in fact. But also weirdly pleasurable… And why? I guess because he has the rather dubious talent of being able to give you the kind of shock the goriest slashers do, only without the gore and blood and in a very innocuous looking setting. And let’s be honest here – it is rare to find the kind of film that gets that kind of visceral response out of you in the day to day cinematic market. I don’t necessarily think it’s a matter of shocking to get publicity and bums on seats. It actually is the job of all art to make you feel things. To make you react. To make you think. There is a little too much playing it safe, a little too much staying within your comfort zone when it comes to films these days I feel. That is sort of why Hollywood films are less of my day to day consumption and more of an occasional treat. I need the films that I watch actually do something to me – and if you are of the same tribe as me I can promise you that The Lobster will smack you around the head  several times and leave you spinning like a top…


Like all of his other films, this universe of Yorgos Lanthimos is unforgiving. The rules are as harsh as they are eccentric and disobedience is really not an option. Well. I say that, but in this universe – as in, I strongly suspect, most others – as long as you give the illusion of going by the rules, you can get away with, well, a certain amount… This, in the film has hilarious results that I will not be discussing here today as a lot of the film counts on the element of surprise to make it work. The film does, however, become a Kafaesque dance where our characters have to apply an endless set of rules to the most intimate areas of their lives. And what makes the film even funnier is the fact that most of us – without being aware of it – do this anyway. You know those little things called social norms we are all so attached to. Yeah… I am willing to bet you any money that you will be giving them a hefty amount of thought after you have watched this little number.


Of course the brilliance of the actors only adds to the success of the dance – Colin Farrel is the perfect slightly bumbling everyman helping us understand this universe as we try to figure it out ourselves. Ably assisted by the likes of John C. Reily, Ben Whishaw and Rachel Weisz who all participate in this straight faced – in fact deadly serious – dance with conviction and gusto that will have you cringing and crying out for them as the story takes its twists and turns…
In short, the first thing Lanthimos does when he takes you into a universe is tear up the rule book, the second is to throw you into the ring at a no-holds-barred cage fight. It is something you definitely need to decide on for yourself – but if you survive the fight, well, the benefits are absolutely glorious…


17 Haziran 2015 Çarşamba

THE "WONDERFUL" WORLD OF YORGOS LANTHIMOS OR THE FALL OF THE DOGTOOTH

Yorgos Lanthimos is becoming more and more of a household name in arthouse circles. His latest film, The Lobster, brought him international acclaim and awards at this year’s Cannes film festival. Set in an alternative universe where humans who fail at having a successful relationship are transformed into animals and banished, we can only imagine that Lanthimos is going to be the topic of quite a few discussions to come. This is not by any means Lanthimos first foray into the limelight, a few years ago, in 2011, Dogtooth won him multiple international awards, including an Oscar nomination for Best International Feature. I heard of Dogtooth at the time – well you could hardly avoid it. I avoided watching it though; I always felt that its rather strange and disturbing subject matter would be a little too much for me. Yet, when the film came across my path again recently, I had to stop and think. This guy is clearly not going anywhere soon as far as his name in the art world goes. One might as well come to terms with this fact and get to know the guy. At the very least so one can say succinctly WHY one doesn’t like his films. “They just sound weird” is not really an academic or professional answer to give. So I dove straight into the wonderful world of Dogtooth. And before we kick off, kudos to Lanthimos, he has done a truly spectacular job of creating an almost completely believable alternative reality within the very world we live in… Well, Lanthimos – and the characters he has created.

Our protagonists are a family. Clearly a family of means, the father goes off to work every day while the mother stays at home in the large and beautiful house and grounds with the three teenage children. However, all is not quite as it seems in the idyll. Although provided with every single thing they need, the children are kept, by their parents, in a sort of alternative reality. The world outside is dangerous. So much so that leaving the house before your Dogtooth falls out might well mean death. There are no such things as telephones, videos, newspapers – in fact any connection to the outside world. Nobody enters the house except Christine, brought in once a week to relieve the son’s sexual desires. Apart from that their parents are the only other humans the children (they have no names) know. But, of course, you can only keep humans in such a state of submission for only so long. Eventually real life will creep in through the cracks, somehow, and “pollute” the atmosphere. In this household, kept in this extraordinary state for many years, the consequences will be devastating…
First of all, sensitive souls, take heart. The film is undoubtedly hard to watch, but by no means does Lanthimos make it into an emotional spectacle. In fact the way the film portrays the lives of the family to us is almost clinical. An almost unmoving camera, no real close-ups or extreme close-ups, and reliance on an almost completely diegetic score all means that the film has the air of a very surreal documentary. This effect is also partly due to the way the actors deliver their lines. The limited emotional development the children have been through means that they speak almost constantly with poker faced seriousness. The house itself is quite dour at the best of times. There is no joking, no laughing, no real shows of affection and no pets… It makes sense really, the characters live in such a limited world that they do not need a broad range of emotion. And if they did feel anything new, their father probably would not approve.  The benefits of making the film so clinical are twofold, apart from making the film watchable – you could make the film very melodramatic with completely different style choices and editing – it allows us to take a step back and really think about the film and the messages it is trying to convey. Approached academically, Dogtooth has quite a lot to say for itself…
The film could be of course an analogy for pretty much any repressive state anywhere. On a larger scale, this could be life in North Korea for example, or a secretive country like Bhutan. And the message of the film is clear. No matter how hard you try, no matter how long it actually looks as if you are succeeding for, you will never repress the human soul, the human instincts for ever. Even the best of armour has chinks in it and you are a fool if you think that you can stop all influences for ever. In the film, we get hints that the family actually mean well – they want to preserve the children’s purity, stop them developing bad characters. However, no matter what you mean, repressing a human soul and trying to mould it to your whim will never, never end well and will never fully succeed. In a bizarre kind of way Dogtooth is an ode to the resilience of the human spirit. Its message is that no matter how surreal the circumstances, no matter how vigilant the guards, what is meant to be will, undoubtedly be.

As rather befits the film, we do not have a “clear” end to the film. Lanthimos averts his (and our)eyes, just at the moment the first real tragedy of the film is about to strike. The horrors and the consequences of this tragedy are left to our imaginations, but there can be no doubt that it will, on some level , bring this strange little kingdom toppling down… Strangely enough though, you can’t exactly be glad it happened… You’ll see what I mean when you see it…