ARE YOU READY TO BECOME SOMETHING NEW... "THE LOBSTER"

I saw the trailer for The Lobster some time ago. I thought it was categorically the funniest thing I have seen in years. I then, like a muppet, missed in the cinema. I was overjoyed when it came out in VOD and I actually watched it absolutely ages ago, practically on the day it came out. Its director Yorgos Lanthimos is not a household name yet – but he is getting there. And those who HAVE heard of him tend to give a knee jerk YES! Or NO! response. If you haven’t tried him out yet, you really should give his work a whirl – see which camp you end up in!

The Lobster takes place in a dystopian near future. There (as in quite a few places here, as a matter of fact), being a couple is categorically the most important thing you have to achieve in your life. However fewer invitations to dinners and awkward conversations are the least the singletons of this universe have to worry about. If you find you are single, you have 45 days to find a partner. If you fail, you are transformed into an animal of your choice and released into the wild. Now, of course the process in monitored, the moment you report you have become single to the authorities you are transported to a special facility with other singletons where you have to endeavour to find a partner. Our tale follows David (Colin Farrel) who is recently divorced. He has just started his stay in the facility and has a whole world of new characters to meet, make friends with and hopefully date. Oh the whole place looks like a slightly eccentric holiday village, but David is under no illusions. The real question is whether he will survive – and if he does, in what form…

Yorgos Lanthimos is one of those –black and white – kind of directors. You either adore him and, like me, think he is the best thing since moving images on a screen, or think he is crass, extreme and all together hard to watch. His films are definitely not for the faint of heart. In my particular case I found watching Dogtooth (the first film I ever watched by Lanthimos) a weirdly sado-masochistic experience. Yes, definitely hard to watch. Harder than a lot of things I have ever seen in fact. But also weirdly pleasurable… And why? I guess because he has the rather dubious talent of being able to give you the kind of shock the goriest slashers do, only without the gore and blood and in a very innocuous looking setting. And let’s be honest here – it is rare to find the kind of film that gets that kind of visceral response out of you in the day to day cinematic market. I don’t necessarily think it’s a matter of shocking to get publicity and bums on seats. It actually is the job of all art to make you feel things. To make you react. To make you think. There is a little too much playing it safe, a little too much staying within your comfort zone when it comes to films these days I feel. That is sort of why Hollywood films are less of my day to day consumption and more of an occasional treat. I need the films that I watch actually do something to me – and if you are of the same tribe as me I can promise you that The Lobster will smack you around the head  several times and leave you spinning like a top…

Like all of his other films, this universe of Yorgos Lanthimos is unforgiving. The rules are as harsh as they are eccentric and disobedience is really not an option. Well. I say that, but in this universe – as in, I strongly suspect, most others – as long as you give the illusion of going by the rules, you can get away with, well, a certain amount… This, in the film has hilarious results that I will not be discussing here today as a lot of the film counts on the element of surprise to make it work. The film does, however, become a Kafaesque dance where our characters have to apply an endless set of rules to the most intimate areas of their lives. And what makes the film even funnier is the fact that most of us – without being aware of it – do this anyway. You know those little things called social norms we are all so attached to. Yeah… I am willing to bet you any money that you will be giving them a hefty amount of thought after you have watched this little number.

Of course the brilliance of the actors only adds to the success of the dance – Colin Farrel is the perfect slightly bumbling everyman helping us understand this universe as we try to figure it out ourselves. Ably assisted by the likes of John C. Reily, Ben Whishaw and Rachel Weisz who all participate in this straight faced – in fact deadly serious – dance with conviction and gusto that will have you cringing and crying out for them as the story takes its twists and turns…

In short, the first thing Lanthimos does when he takes you into a universe is tear up the rule book, the second is to throw you into the ring at a no-holds-barred cage fight. It is something you definitely need to decide on for yourself – but if you survive the fight, well, the benefits are absolutely glorious…

BE CAREFUL WHAT YOU WISH FOR... "SEVEN PSYCOPATHS"

Now, the name of this film does not give much away. I mean, it does and it doesn’t. As you probably guessed, from the trailer and from the name, yes, it is basically about seven psychopaths. Basically.  There is quite a hefty dose of violence mixed up in all of this. Come on, we are dealing with psychos here. But it is also about something you might not actually expect. Creativity. We all know that any sort of creativity – writing more than most perhaps as it is such a solitary occupation when you get down to the nitty-gritty of it – is a bit of a battle. But of course no man is an island. And if you have not chosen your friends as wisely as you could have done, they might well leak into your creative endeavours to create what we might call an “explosive” mix… Especially in Hollywood the land of dreams…

Marty  ( Colin Farrell) is a struggling screenwriter trying to place together his “next hit” – a screenplay called “ Seven Psychopaths”. Now, the title may be catchy but sadly it is about as far as Marty has got. Billy (Sam Rockwell), an actor who is not all together very stable himself, is Marty’s best friend and as such is dying to use his own rather original approach to get Marty out of his predicament. There is, however, a very slight problem. It involves actual psychopaths. And the head of a gang (Woody Harrelsson) who is out to basically kill them all. There’s a Shih Tzu in the mix. And of course, an almighty shootout at the end, worthy of the name “Seven Psychopaths” – or so Billy hopes anyway. Well, one thing is for sure. If he makes it out of this mess alive, Marty really is going to have one heck of a story to tell.

As you will be able to tell from the get go, there is not one iota of material that is “serious” about Seven Psychopaths. True enough, there are some moments of “genuine” emotion, but only to serve as a breather for the onslaught of absurd comedy that reigns supreme throughout the show.

Now, the onslaught of absurd comedy is not a bad thing. Nor is the profusion of violence – as long as you don’t mind that sort of thing. The film is a bizarre one. I suspect that a lot of people will see a lot in it that they like. But almost definitely some things they don’t like. Stylistically the film is quite “modern”. Multiple characters and merging storylines (the name of the script should be a hint here), each slightly larger than life and the previous hero come together to form the film. This means very slick and quick editing and a lot of laughs / emotion based exclusively on violence. In fact, I have just found the word I was looking for, it’s cartoonish. I’m specifically thinking of Road Runner and Wiley E. Coyote, where more and more elaborate weapons come out as the two immortal cartoon heroes “duke it out”. While this is all well and good as entertainment and for some, you may well want a tad bit less pointless bloodshed (by pointless I mean for comedic value only – or close enough for it not to matter), fewer characters and slightly fewer “branches” on the storyline. Or at least branches that are tied together a little more “tidily”. I feel you. I kind of feel the same way. But on the other hand, I honestly doubt this film was ever made for serious dissecting. It is loud, bawdy fun and you should take it as such. Or not take it at all if you don’t have a stomach for violence – but that’s another story all together…

MY FAVORITE LOVE FILM EVER : "THE NEW WORLD"

Films like this made me start this blog up. No kidding. No caricaturizing. I mean it. Watching films like this, and then wanting to shout it from the rooftops, wanting to stop random people in the street and tell them how good the film is. I didn’t get the fuss about Terrance Malik before. Well to be fair I only watched Badlands. It was impressive but nowhere near on a scale with this… This leviathan. It is all about brilliant filmmaking marrying a brilliant story here. I would have said the filmmaking has a slightly larger part but on reflection this isn’t true. Because this brilliant true story needs to be told in its original form, because we do know it quite well but rarely do we know the whole, true thing. We are talking, ladies and gents, about the true story of Pochahontas. Now, one side note. Some of you may be a little surprised at this point. Yes, Pochahontas (played by the beautiful Q'oranika Kilcher) was a real person, as was Captain Smith (played here by Colin Farrel). As was their love affair. The settlers arrived on American shores at their wits end in the early 17th century. There was sickness, mutiny and very little hope as to the establishment of the colony. Captain John Smith was a career soldier and quite high ranking it is true, but he was by no means “the boss” he is made out to be in the cartoons and the like, or so it seems. He is however instrumental in the survival of that first little colony and in the dealings with the “naturals” as they seem to be called back then. And in the course of these dealings (I refuse to give too much away) the love affair between Pochahontas, the native American princess and Captain Smith blossoms. And it is beautiful, the discovery of true love, the forest, nature, communicating without words. But what then? What later? I will leave it to you to discover that. Trust me, it is nothing like the cartoon. I have to point something out. Some of you will not like the end. No, not one little bit. But I loved it. That ending made this categorically one of my favorite films ever, and I mean ever. I cried buckets. Buckets. All I will say is I strongly believe that John Rolfe (played by Christian Bale - no, I haven’t mentioned him above, watch the film and find out) deserved what he got. He suffered and fought for that happiness, that resolution. It would be a heart-rending shame if the story had ended in any other way. The very, very end is sad of course but neither here nor there. So there. Another thing I didn’t quite get before watching this film is “poetic” filming. Poems are poems and films are films and forcing the two together does not sound like the wisest of ideas to me. Err, wrong. Very wrong. The images Malik’s camera captures, the narration that is superimposed… The originality of the work of the film from beginning to end… Words cannot describe it. Having various images on screen with an external narrator in the background may not sound like the most riveting way to go about describing emotions. “Oh” , you might say, “he did that because he couldn’t have it in the film”. Wrong. He did it because he could do that kind of thing very, very well. I can think of no better way of portraying the inner thoughts of the characters. The text they narrate is pure literature. Yes, apparently the two go very well together. I am now in the small band that cannot wait for Malik’s next film. As you may know, he goes for quality rather than quantity. But hey, obviously it is worth the wait. In the meanwhile, I shall go and root out the rest of his films. I will keep you posted, naturally.

THE IMAGINARIUM OF DOCTOR PARNASSUS

You guys may have noticed that I am a great fan of good, old fashioned escapism. I mean let’s face it, we all need it at times. That’s why adults read comics and watch cartoons; that’s why fiction as a genre exists! This is probably why, when I find a film that well and truly transports me to another world I pounce on it and give it a big (metaphysical) cuddle. The Imaginarium of Doctor Parnassus is just such a cuddle-worthy film. Springing from the crazy imagination of Terry Gilliam, you would expect nothing less. Plus the film is chock – full of handsome actors (the late great Heath Ledger, Johnny Depp, Jude Law, Colin Farrell…). If that’s not cuddle-worthy, I don’t know what is, right ladies ? ;)

So, what is the Imaginarium of Doctor Parnassus about? As with everything Gilliam-related, it’s a little hard to explain and almost impossible to describe but I’ll give it a go. Ok, it’s sort of, kind of a little bit of a take on Dr Faust – but not quite. You see, Dr. Parnassus (Christopher Plummer) was actually born thousands of years ago – but a bet with the devil has given him eternal life. It is not turning out the way he had planned. One day, upon coming across the woman of his dreams, he makes another pact with the devil – youth and the chance to conquer this woman. However, he must give the first child from this union to the devil on its 16th birthday. So we find him, traveling the world with his daughter Valentina (Lily Cole) and his two assistants, as a traveling troupe of performers. This is where the Imaginarium comes in – or where you go into the Imaginarium, an imaginary world commanded by the doctor where all ones wishes come true. They have a happy life minus the fact that Valentina is almost 16 and her father is desperate to find a way out of his bargain. Mr. Nick ( the devil) comes up with just such a plan. The first to seduce five souls in the Imaginarium will win. This sounds easy but is actually no mean feat seeing as the Imaginarium is doing, in a word, dismally. But then, Tony (mostly Heath Ledger) comes along. The troupe rescues him from the jaws of death – he is dazed and has completely lost his memory. His mere presence however, will change the rules of “the game” forever…

Now, what of my impressions of the film? Well, it has no great philosophy, it is Hollywood and special effects at their best. And I mean their best. It is no Avatar of course, but it is instead a wonderful imagination, colorful costumes and fantasy worlds and details that Monty Python fans will recognize and squeal with glee about (not a lot of people know this but it also racked up two Oscar® nominations for Best Art Direction and Best Costume Design. VERY well deserved.) This is good, old-fashioned story-telling folks; done by superb actors too. It is also a good reminder of the powers of the imagination. I would hate to become one of those people who are incapable of imagining, of enjoying a story, of plunging into a fantasy world without 3-D glasses… I am sure that those of you who have watched the film will agree with me when I tell you that it should more accurately be called “The Imaginarium of Terry Gilliam”… Just immerse yourselves. You will emerge re-born. ;)