THE LEGEND HAS LANDED... "SHERLOCK – THE ABOMNIBAL BRIDE"

Well, it’s finally here. And oh boy, where we waiting for it. It has been a whole three years since the last “proper” season of Sherlock after all so like all the fans I pounced on the show the day it emerged blinking onto the TV screen. Oh it was fun. It was exciting and challenging and all the good things we like about the Sherlock shows… So was I content then, did I give it a full thumbs up? Um well… Not quite…

So let’s start at the beginning. The Abominable Bride  seems to be set, for all intents and purposes, in an alternative universe to our modern friend. A sort “how would it go if they were actually Victorian” type deal. And it is a story tinged with a bit of horror no less – supposedly the story of a bride who comes back from the dead to kill, first her own husband but then men who mistreat their wives pretty much everywhere. Naturally, even in Victorian times Holmes is not about to fall for the whole “ghost bride” deal, even if Watson himself is on the verge (but ehem, not quite)of believing the supernatural. But the whole supernatural aspect notwithstanding, there is a lot more to this case than first meets the eye… It may even – God help us – even tax our favourite television detective a tiny bit…

As you all know, I am as bigger fan as the next person of complicated storylines. I have often thrown my toys out of the pram when the story is too simple. But there can be a little too much of a good thing. Especially complications. Now, the storyline set in Victorian times itself, I have no trouble with. Nor do I have issues with the implied supernatural element.  After all  I am a bit of a horror fan (or have become so over the years – psychologists, weigh in lol) and I need to say this episode of Holmes has some quite strong chill credentials. By no means prohibitive for sensitive souls but notable. In a good way.      That’s what we like about the Sherlock series – completely logical and real, yet tooth-grindingly fiendish and very hard to solve without being Holmes (or, you know, a member of the cast with an actual script to hand). Besides if you are watching a whodunit, there needs to be a degree of challenge in answering the question otherwise there really is no point – take it from someone who spends an embarrassingly large chunk of her life on whodunits.

Ok, herein begin to lie spoilers so take head. Moving on, I could even buy the whole “first level” of tying in with the modern Sherlock. You know, it was all a mental exercise all along. And the whole episode ends with some very interesting crumbs dropped about the coming season so you know, good job on whetting our whistles. The bit where it does not work for me is when Holmes basically suddenly becomes able to travel into his “mind palace” at will, have long and entertaining chats with himself. In fact, his subconscious mind is so complicated and so developed that it can set him puzzles his conscious mind has trouble solving. Though of course logic sort of dictates that he SHOULD be able to solve it by definition – it is after all a puzzle he himself created. It’s a very interesting case of split personality if he couldn’t. It sort of mirrors the film Inception. And at a push it could have been argued away by saying “Oh well, you always knew his mind was different”. And I will concede to the fact that it basically is a prolongation of lucid dreaming. But I don’t know… I almost feel as if they have tried to show us how the goose that lays the golden eggs works. But in (proverbially) cutting Holmes open, they have slightly undone themselves…

I think part of the appeal of Sherlock has always been that it ultimately makes sense. You know it may well be nigh on impossible to actually happen but it sort of could. It’s not “magic”. Nor is it “mumbo jumbo computery stuff that sounds clever but actually means nothing”. It was always ever, quite simply, an almost completely (but not quite) unbelievable mind. And I am not saying that you should leave everything to faith to be oh so mysterious – especially not in our modern times. My argument is that IF you are going to try to explain any key concept of a series to death, you need to have a solid game plan going for you. Especially when talking about concepts like logic and the mind – because if you don’t get those arguments to make sense, there is a danger that you, ironically enough, seem to be unable to make sense of what is basically heightened common sense. There was absolutely no need for complicated party tricks methinks. We could just as well have left it to be inexplicable. In its current state, it have worked better.

Hopefully this was just a party trick for Christmas and we won’t have prolonged stays in Holmes’ mind palace in the upcoming season. I have a feeling we will be back to business as usual when the time comes though. After all, this is sort of what the first of January is all about no… A sort of netherworld between the new year and the old one when you sort of loll around on the couch, try and get your act together and mentally prepare for the year to come. I’m sure they will do better on the “real thing”.

THE UNEXPECTED JOURNEY CONTINUES : "THE HOBBIT 2: THE DESOLATION OF SMAUG"

Hehehe. I literally squeaked when I saw this on the in-flight entertainment on the way back from Japan. I missed this one. I don’t know how it happen – well I do. I wanted to see it in 3D or IMAX. One wants to save up, make it an occasion, go with friends. But as it often happens when you try and “overcomplicate” things I just couldn’t organise it somehow – and then, as it were, it was gone. So now that we have given in and watched the film on a tiny in-flight entertainment screen,  what can we say about the second half of our unexpected adventure?

Well, our party has crossed the Misty Mountains, but that is by no means the end of their troubles. They have to get through the infamous Mirkwood Forest to arrive at the human settlement at Lake-town, all this in time for the one appointed day where the secret door to Lonely Mountain can be discovered. And even then, although it seems to be a simple matter of Bilbo fulfilling his contract, well, it’s easier said than done. I mean, we’re talking about finding a single magical stone in an unimaginably large hoard of treasure, without waking out a sleeping, terrible dragon.  And all of this would have been a good deal simpler if Gandalf had actually stayed with them but he has… Gone off somewhere… Yeah, actually, what’s with that?

So if you’re a fan, you know exactly where we are in the story – isn’t it getting exciting! This chapter of course introduces us to Legolas. And on a side-note I had completely forgotten how much of a proverbial “badass” Legolas was. Watching him and Tauriel fight was definitely one of the highlights of the film for me. I know , I know, I moan a lot about special effects and the excessive usage thereof, but come on. We are watching this film so we can be transported to a magical world of elves, dwarves and hobbits. Movie magic literally goes without saying. And come on – most if not all of us rather likes the elves. (Oh yes we do. )And I (still) have nothing but praise for the magical world Peter Jackson has created for The Hobbit. It is not quite the same reaction I had to the Harry Potter films. For those, bizarrely a large part of the characters and settings looked almost as if they had been plucked directly from the inside of my head (the one notable exception being Lupin – he was so unlike what I had imagined it actually upset me and made it hard to concentrate on the film for a short while, but that’s a completely different story). But this world is so beautiful, so organic and so sensitively created that even if I (probably) didn’t quite see it like that myself I literally can’t imagine it being any other way. Just open the door and step right in.

Acting-wise, of course everyone is on point. I find it hard to imagine Sir Ian McKellan as anyone OTHER than Gandalf and Martin Freeman is the perfect everyman trying desperately to keep up with the otherworldly madness going on around him. There is a certain “Britishness” to his acting that I think really “makes” Bilbo. Not least, it mustn’t be forgotten, because Tolkein himself was British – so surely that fits? And of course we have a few new additions to the “family”. The most talked about was, without a doubt, Smaug, voiced over by Benedict Cumberbach. Firstly, I genuinely wouldn’t have known it was him if the fact hadn’t been bandied all over the known world for months. Ok that sentence looks weird but you know what I mean. It doesn’t sound like him. And bizarrely it sounds just as absolutely terrifying as a talking dragon should. And, all humans out there (ehm) we finally have someone representing us too! Yay! We finally get to meet Bard (Luke Evans) face to face and we even have an appearance from Stephen Fry as the rather oily master of Lake-town. So basically what we get is a wonderful magical world reconstructed lovingly by Peter Jackson, with a goodly dollop of Britishness and British humour injected in. That’s basically my idea of perfection in so many different ways.

But the thing about a film like The Hobbit is that it is one of the best representatives of a very specific genre. If you like fantasy (you probably couldn’t tell, but I do) you’ll love this. If you don’t, you’ll steer well clear and honestly feel as if you haven’t missed a thing. I don’t blame you. I mean, I don’t understand where you’re coming from at all, but I don’t blame you. It takes all sorts to make a world. I just need a sojourn or two in different worlds from time to time that’s all.

THE (BRIEF) RETURN OF MY FAVOURTE SUPERHERO : "SHERLOCK SEASON 3"

Two years. We have been waiting for two blessed years. They knew we’d wait. They knew we’d “do the time” so they took their own sweet time planning practising and filming. But oh… Oh what an end result. The one thing that really frustrates me about this series is that how quickly it’s all over. I mean, especially for me, because I waited for the whole series to be finished (skilfully avoiding any spoilers pertaining to the finale) and “marathoned” the whole series in a day (at the time this article was written it was still available on BBC I-player for UK residents).  And now… Well I have to wait for another two years I guess… Which reminds me, I should really check if there are any clues circulating as to when the next series will be broadcast…  But anyhow. Before we turn our eyes to the future, let us dwell on the recent past. What did we make of season 3?

So, the first thing we find out – I’m sure it’s not a spoiler at this point – is that Sherlock Holmes is alive. The cynics among us will mumble something about “killing the goose that lays the golden eggs”. We can’t actually say that this is unfair. That said, we all need a superhero of some sort in our lives (and those claiming that “no, we don’t” are actually in denial). Now, some superheroes are, you know, your average superhero:  Handsome, inherently good, superpowers, saving the world, all that malarkey. Others are well adjusted sociopaths with off-the chart IQs and very poor interpersonal skills. My kind of superhero tends to be the latter. And that says something or other about my subconscious or my childhood but let’s not go there now. Anyway, long story short, superheroes never die. So  Sherlock is back. And he is mildly surprised that actually, life has gone on without him. But once both Sherlock and Watson have got over the shock; there is work to be done; there is serious evil afoot in London. Which is basically why Mycroft had him shipped back to London, I mean, why else would he bother, right?

Basically, what can I say? The series exceeds itself once again in my view. And we have the classic Sherlock tropes running through the tale. In the second series it was Sherlock’s death in a face-off with Moriarty. Ok, there were no waterfalls involved but they are in rather short supply in London. This time round its Watson’s wedding. Now, hand on heart, I was a bit worried about that. I mean, injecting a bit of comedy into an otherwise rather dark and cryptic series is well and good, not to mention necessary, but still. You don’t want it made into a laughing stock. I was, I need to confess especially worried about the wedding episode. I mean ok, for those who haven’t watched yet, one of the three episodes actually takes place at Dr Watson’s wedding. It starts off looking as if it’s going to be one of those epic failures when a very serious series tries to be a comedy for one episode and fails miserably. It’s just a smoke-screen, trust me. Just trust me. Trust Sherlock.

And the finale… Oh my goodness. I don’t want to give you too many details. You know that the whole point of this series is the surprise factor. But there is a truly odious arch-villain that will try Sherlock in ways he has never been tried yet. And you better watch all three episodes very, very closely. Because there is a point in the third episode where you are going to have to trace your way back to little bread crumbs dropped in the first episode. I mean, obviously the series does it for you complete with flashbacks but you know… Just so you know… There is a massive bigger picture. And more than one plot-twist.

All that not enough to tickle your fancy? How about  if I told you we meet Sherlock’s parents? That we get a glimpse at his and Mycroft’s early childhood? What if I told you that, for one split second, we actually see his inner sociopath face to face? I’m telling you… This season is good.

The one thing that might get you slightly is that they do a wonderful, emotionally charged finale. You’re left  with literal tears streaming down your face… Only to find, minutes before the end credits roll down, that they haven’t even waited for the next season to conjure up Sherlock’s “miracle return”. I found it destroyed the flow of the piece slightly but then again… I mean come on. We knew he’d be back. Call it golden eggs, call it superheroes… I guess it was pointless to pretend he was gone for good – because emotionally charged as the finale is, at the end of the day, none of us is really going to “believe” it, are we? So you might as well use the opportunity to give us a taster of what is coming next. And incidentally, judging purely by the little breadcrumb dropped, I’m very curious as to how they are going to “pull that one off”. Oh well. We just have to wait another two years or something to find out… 

AN ADVENTURE WE HAVE ALL BEEN WAITING FOR: "THE HOBBIT : AN UNEXPECTED JOURNEY"

I am not going to even pretend to be objective about this one. I, like many other diehard fans, have been waiting for it for a long, long time. Like a lot of said fans, I watched the film within days of it being released to cinemas. I intend to see it a few more times. The same way I did with the Lord of the Rings Trilogy. So if you’re expecting an honest critique of Peter Jackson’s cinema, boy oh boy are you at the wrong post. Oh come on. Be a love. I am brutally honest in a lot of stuff I write. I’m allowed to rant and rave about a film or two. Besides, at the end of the day, who can say their opinions are completely objective? We are all shaped by our own personal experiences in life and have our own subjectivities and… Yeah. You get the picture ;)

So, this, as you know (probably) is the first film in the trilogy that will make up The Hobbit trilogy. I am not about to tell you the story in complete and utter detail, the chances are you already know it off by heart (ehm) or  don’t mind just finding out at the cinema when the time comes (in which case, I really don’t know what to do with you). Basically, The Hobbit is the story of the discovery of the Ring that will form the backbone of the Lord of the Rings trilogy. It is the story of Bilbo Baggins (played by Martin Freeman, one of my favourite actors EVER) who first went on an “unexpected adventure”. The main aim was to help a dwarf prince and his loyal band reclaim their fatherland. This, as you can imagine, is not a straight forward matter to start with. But then, just as they finally escape the lair of the Orcs, a mysterious ring makes its way into Bilbo’s possession. The first film leaves off at this point, but as you know, this is the sinister beginning of a whole different can of worms.

I can promise you one thing. I have heard this from complete novices to the franchise and from purists much stricter than myself alike: it just flies by. Logic coupled with all the time measurement devices known to man tell us we have almost spent three hours watching the film. I would happily watch a second Hobbit film at least that long without stopping. The story combined with the effects creates a universe so engrossing that you are just sucked in. It is a wonderful opportunity for escapism for all my fantasy junkies. And this is also a brilliant opportunity to get introduced to the genius of Tolkein if you haven’t already done it.

Cinematically of course, Peter Jackson is completely and utterly the man for the job. He is the number one name I think of when I think of epics, films on a grand scale. People criticise him about a lot, from being shallow to combining and mismatching concepts. I think, although some of the criticisms may have a foundation, he is overall a brilliant entertainer. And this is why he has done such an amazing job with The Hobbit. And of course, the acting. Martin Freeman is getting a bit typecast I feel, as the “everyman” that, bewildered and quite unwilling, gets pulled into an unbelievable adventure. But I also feel that this ability to portray this role “makes” a lot of films too. Think about it, who is he representing as this “everyman” swept off his feet? Why, us of course! The audience! The people who, quite literally, walked in off the street to watch the film. Suddenly, we are grabbed out of our everyday lives and immersed in a world of fantasy. Now, our immersion is metaphorical (or psychological. Not sure which concept goes better to be honest) and Mr Freeman is often, if not always, physically immersed in his adventures. But he reacts exactly in the way we probably would have. And having such a wonderful “representation” of ourselves on the screen in front of us immerses us in the film even further.

And lastly, but my no means least; I cannot possibly close this entry without saying a word or two about the AMAZING Sir Ian McKellan. I read somewhere while the film was still in production, that Sir Ian actually broke down and cried from frustration on one of the sets because he was actually the only “live” person in the scenes and he had to act with a lot of his companions being represented by tennis balls on sticks, later to be “converted” into real people. I read in the comments to this article that “oh he’s old, he should “get with the new generation”.  Oh I could not disagree more. His true talent lies in his ability to adapt and change. It seems he was frustrated; he was pushed to his limits. Yet in the finished product, he is Gandalf as we all know him. He pulled it off. Could a younger actor be so versatile? I doubt it. This kind of thing does have a serious amount of experience involved. So the moral of the story is people, don’t be ageist. Respect your elders.

But first, if you haven’t already, PLEASE go see The Hobbit. It is definitely an adventure you will not forget in a hurry.