This is yet
another film I have been meaning to watch for ages. It’s all about tidying up
and tying up loose ends these days for me, don’t ask me why. Coco would be
proud of me. Well, possibly not of the state my living quarters are in at the
moment but of the intention. I think. Hmm. Anyway, so the film. The film that
was nominated for an Oscar®, won awards and is one of the most touching love
stories I have heard for a long time. Not least because it’s a true story… This
is the true story of the extraordinary life and love of an extraordinary woman.
Gabrielle
Chanel and her sister Adrienne were dumped at an orphanage to be taken care of
by nuns at a very young age. The two sisters rely only on each other and take
care of themselves as best they can, mainly by singing and performing in rather
dodgy dives, live modest lives but dream of fortune. Adrienne is more feminine,
outgoing, “charming” if you will. Gabrielle is serious, the more sensible of
the two but has her own way of going about things. She is strong and
independent and she is afraid to neither follow her heart nor speak her mind
openly. These are not qualities that are appreciated in a woman of the early 20th
Century. Still, the fates conspire that Gabrielle meets Etienne Balsan, a rich
businessman a bit older than her through her sister (who unlike Gabrielle, has
many suitors, one of them a Baron no less). Etienne is not particularly good
looking or deep intellectually and emotionally, but he has a certain charm.
Gabrielle does not believe in happy endings or love, but she has nowhere to go
after her sister moves in with her Baron and Gabrielle loses their singing job.
Thus, much to her own disgust, she finds herself in the position of a “hanger
on” with Balsan. Balsan’s group of giddy Parisien friends awaken nothing but
disdain in the heart of Gabrielle. But to be fair, there are a few that are
quite alright. The actress Emilenne d’Alençon, for example proves a good friend
to Gabrielle for all her terrible taste in clothes. And then there’s the handsome,
cultured, enigmatic British businessman Arthur ‘Boy’ Capel…
You
probably can guess the rest. Well, the most important bit anyway. It is a truly
great love story, it is a great story about true love. The film itself is
utterly spectacular. Audrey Tatou is brilliant as the slightly taciturn
Gabrielle ‘Coco’ Chanel . I mean, to be honest I pretty much like anything
Tatou acts in but in my opinion, this film deserves a separate place on its own.
Coco Chanel was not, by all accounts, the easiest person to get on with. The
film makes it quite clear how this came about though, I mean of course, part of
it is nature but the greatest part comes from having had a difficult life. Yet
as the film continues we slowly get to know her, we understand her point of view.
I mean, this is mostly the aim of biographical films, it is not always achieved
however and this is, for me, what makes or breaks a biographical film. This
film definitely “makes it”. So when, towards the middle of the film, Gabrielle
meets Boy Capel, the great love of her life, you are positively rooting for her
and praying things work out. If you know the least thing about Coco Chanel, you
probably know she never married. But well, I’ll let you watch the film and
discover how that came about.
This film
is beautiful and emotional. It is a love story, biography AND period piece. So
guess what, I’m the tiniest bit in love with it. So give it a go. Come on,
surely you trust me by now?
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