Biutiful is the story
of Uxbal (portrayed by the incredibly talented Javier Bardem). Uxbal is many
things to many people, some know him as a medium. Others the middle man between
knock-off copies and street salesman on the streets. To yet others he’s the guy
who greases the palms of the police so they look the other way. But above and
beyond anything, Uxbal is a father. He may not be able to provide the best
living possible for his children but he adores them. And they know it. And this
is really all that matters. When Uxbal finds out he has a matter of weeks to
live, it becomes even more important. We follow him on his journey, desperately
trying to put his affairs in order, and trying to accept the next step in his
existence.
I wasn’t sure about
this film when I started. The more I watched, seriously, the more I fell in
love with it. The style is different from the Inaritu we know from Amores
Perros, the story moves more slowly (comparatively, anyway) and allows more
time for thought and consideration. Uxbal is a brilliant character, a modern
Jean Valjean if you will. Yes, what he does is often questionable- very
questionable - but you can never really blame him. The film has many strengths,
Bardem’s brilliant performance is one of them, but the other – in my view – is
the wonderful, understated realism of the whole film. All the characters, all
the events, they are constructed in such a way, be they happy, sad, ugly or
“biutiful” they are very, very real. Inaritu has succeeded in capturing on film
a quality of life that I find hard to put into words. No matter how tragic and
dark the events, there is always, and I mean always, a light shimmering
through. Like the love Uxbal has for his children that gives everything
meaning. And many other little things I’ll let you discover throughout the
film. The more I think about it, the more suitable a name “biutiful” becomes.
But like most things in life, you’re going to have to see it for yourselves to
truly understand what I mean.
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