The story is that of
Jack Robin (portrayed by Al Jolson) , a young man with a passion for jazz who
was born to a very conservative Jewish family. Our hero is given a choice
between his home and his passion for jazz by his stern father – the cantor for
his local community and thus thoroughly disapproving of Jack’s taste in music.
Jack chooses jazz. And his career takes a meteoric rise. However, just as he is
about to reach the pinnacle of his career, the fork in the road presents itself
again. With a chance to redeem himself and patch things up with his father on
one hand and the “big break” he has been working so hard towards on the other,
what will Jack choose? You will have to watch and find out…
Now, the particular
version of the film I watched was the 80th year anniversary version
that includes a lot of documentaries, extras and comments on the film and
generally sound and film. As a side note, find this version if you can, because
the extras are so good –and there are SO many – that if you have the choice, it
would be a shame to miss them. One of the comments in the documentary was the
fact that it was amazing that Al Jolson, from all that time ago, was right
there, on stage, entertaining people from the 21st century. Now, you
may be prejudiced by the fact that the film is quite old fashioned in many
ways. Not least in that it is still, mostly a silent film. The musical numbers
and snippets of dialogue are in synchronised sound but the rest is silent. And
then you might think, well, the topic is all very quaint and nice. You might
think it’s going to be old fashioned. And boring. And then you might just leave
it on the shelf. That would be a mistake in my view. I mean, the musical
numbers alone are just so brilliant, despite the almost 90 years time
difference you cannot help but enjoy Jolson singing numbers like Blue Skies
and, on the other end of the spectrum, Kol Nidre is a sight to be seen. And
when we watch him on the scene, he truly entertains us. I mean honestly, I love
it. If he had a live show somewhere I would go see it. True, there are some
slightly racist quips in there in the shape as a performance as a black and
white minstrel. But I think this should be taken in the spirit of the time and
as pure entertainment value with nothing too serious attached.
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