homosexuality etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
homosexuality etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster

25 Mart 2015 Çarşamba

THE IMITATION GAME - BECAUSE LIFE IS STRANGER THAN FICTION

Biographies, extraordinary true stories, stories of overcoming adversity… All much beloveds of Hollywood and the awards season – and we did see quite a few extraordinary ones come out this year, that’s for sure… And although it ultimately only got he "little gold man" for Best Writing, the one that actually – in one way or another – had the most tongues wagging all over the world was The Imitation Game…
One of the pieces of headline news was the gay rights campaign Benedict Cumberbatch has started, aiming for the pardon of all the men, alive or deceased who were convicted “of homosexuality” like Alan Turing.  Another was the outburst Cumberbatch made concerning racial equality in the film industry, which in turn created a whole new discussion in its own right… And indeed, what is the point of art if it does not force us to think, to feel and to change… But before we get to all of that, let’s take a look at the man, his life and the film that was made about it – for indeed, the fear at this point is that we may well lose the film itself in the discussion surrounding it!

The story is, as we all know, that of Alan Turing. Nobody was sure what to make of Turing in school. To call him an odd duck was to understate the fact, nor was this simply a faze as his “Alan-ish” behaviour just gets more pronounced as he grows older… However, if he is odd, Alan is no fool as he shows an absolute genius for mathematics and a great personal interest in codes and cyphers. So naturally when, during the Second World War, the Germans come up with the seemingly undefeatable Enigma code, Alan turns up at the door of the Ministry of Defence and explains that he is probably the only person who can decode it. Alan is anti-social, infuriating in fact almost completely impossible to work with as far as his colleagues are concerned, but they quickly realise something else… He may also be right…
The rest, as they say, is history… Turing had, in actual fact, discovered the first “computer”. The very thing I am writing this review on right now. The thing you are very probably reading it on – be it a telephone or a laptop… One does wonder if, when he first “discovered” Christopher (the name of the first computer) Turing realised what a huge chunk of everyday life he had, in fact, shaped… (He had a truly extraordinary technical mind, so in actual fact he may well have done). I think it was quite well timed and quite appropriate in all, we do live in the internet generation and it’s not such a bad thing that we find out how it all began…
The thematics and the discussions it will start aside, you will get annoyed with bits of this film. Oh sure, Benedict Cumberbatch is absolutely brilliant from beginning to end, as is Keira Knightly who uses the characters warmth to play an absolutely lovely contrast to Turing who is, for lack of a better description, all odd corners and elbows sticking out… Looking back and reading descriptions of Turing, it is quite clear that he was very probably somewhere on the autistic spectrum. However the film does not fall into the trap of harping on the fact that he was some sort of autistic savant. This kind of diagnosis was quite rare at the time, so we are simply presented with the facts and left to draw our own conclusions. What the film does do however, with annoying Hollywoodiness, (yes it’s a word. I have just decided it’s a word, so it is a word. Henceforth) is repeat ad nauseum  the adage that “Sometimes it’s the people you think the least of who accomplish the most extraordinary things”. Once would have been more than enough. Twice if you guys really wanted to push it. You didn’t need a character saying the phrase every 20 minutes. The audience is not entirely stupid and we are quite capable of seeing that Turing is overcoming some truly spectacular demons and coming in, as the underdog, “winning the day”. Also, I didn’t “get” the cutaways to Turing running. I mean don’t get me wrong, Cumberbatch running and showing off his muscles is always a welcome sight to my sore eyes. I just didn’t get what they were doing in the story. Apart from clearly visualise Turing’s struggling. Only problem being that Benedict Cumberbatch is quite capable as an actor of showing this to us with no need to cutaways to him running but, you know…
Turing may well have won the day and (indirectly) the war, but his life was cut tragically short, when, after being condemned for “indecency” and forced to undergo chemical castration, he took his own life, aged 41. And it is very, very right that the film should be the starting point and a spearhead for the pardon of all the men that were condemned so unjustly and made to suffer in jail or by submitting to chemical castration and who didn’t have the advantage of being Alan Turing to ease their way to a pardon.

It is a sign of the great quality of the film that it overcomes all the “mainstreamisms” and “spoon feeding” in it to be the masterpiece it is. Part of it is the cast and the true show of talent and dedication we see from them. But it’s main saving grace is of course the strength of the story – a film can have whatever else it wants, if it has a weak story, it is doomed from the start. And it doesn’t get stronger or more unbelievable than Turing’s story…It is realism and the humanity of the whole affair, the fact that Joan Clarke (Keira Knightly’s character). Because not everyone will be able to completely sympathise with an a-social maths genius with autistic tendencies. But a man struggling with a society that doesn’t understand and his own personal demons to fulfil what he knows to be his destiny, now that – on some level – we can all relate to.  

8 Ekim 2010 Cuma

MIDNIGHT IN THE GARDEN OF GOOD AND EVIL

Ok, so this is a film a friend and colleague has been bugging me to watch for absolutely AGES. He even went as far as procuring a personal copy for me (bless him). This was about a year ago and much to my mates’ horror, I have only just got round to watching it. I now understand that horror – this little known (I think?) classic ranks among the immortals. Plus, it features a rather nostalgic cast like a VERY young Jude Law (still just as gorgeous!) and John Kusack. Another surprise was the fact that the director of the film is actually Clint Eastwood – I am going to have to seriously review my opinion of the guy. I always viewed him as… Well you know. Clint Eastwood. He is actually a director capable of conveying deep emotion. Even in a film about homosexuality – and that I would NOT have expected from Mr. Eastwood. My mistake, evidently…

So, with John Kelso (John Kusack) we go to Savanah. A pleasant little town comprised of “good folk” and a few eccentrics – one of which is eccentric millionaire and bon viveur Jim Williams (Kevin Spacey). Williams is generally admired and envied by the community and his standing “makes up” for the fact he is actually gay so everybody kinda “overlooks” the fact. Mr. Williams is famous for his extravagant Christmas Parties and Kelso, a freelance journalist, is sent to cover this year’s party. However, when Williams’s young, rebellious and slightly violent protégé/ lover Billy (Jude Law) is found shot dead in Williams’ library on the night after the party, Kelsos’ whole stay takes a very different turn. Now not only is a man he has befriended and has come to like being tried for murder, the whole town that now “officially knows” he is gay, slowly starts to turn against him. Kelso is aided on his way by Voodoo priestess Minerva and the inimitable Lady Chablis as he finds out that sometimes in the hearts of men, good and evil, love and hate, prejudice and acceptance are all only a heartbeat apart…

The film is based on John Berendt’s book of the same name. And although certain characters and dialogue were created for dramatic purposes – and neither the film nor the book makes a secret of this – some of the characters are quite real. To the point that the Lady Chablis is actually played by herself! She is by far my favorite character in the film by the way… Now, at a whopping 155 minutes long, you may be “intimidated” by the film. Don’t be. The name may also seem to convey a sense of something “deep and philosophical” that will bore you. No way. It is a brilliant film that conveys a very poignant analysis of society and the human spirit. Not necessarily a happy message but a true message. Don’t be like me. Don’t wait a year to watch the bloody thing – just get on to it. In my heart, the film has shot up to the Top 10 of my favorite movies of all times…

13 Mayıs 2010 Perşembe

"A SINGLE MAN" NOW...

Do you remember last year’s Oscars®? The whole deal about the Oscar ® for Best Actor? I think I’ve mentioned it when I was talking about Crazy Heart. Some said Mickey Rourke should have got it, but Sean Penn actually did, etc… I had a strange feeling of déjà-vu when I watched A Single Man last night. Corny as it may sound, I think as far as Colin Firth is concerned, this is the performance of a lifetime…
George (Colin Firth) is a literature professor. He lives in L.A. in the year 1962. He lost his partner of 16 years, Jim, to a traffic accident a year ago. He has tried to carry on, with the support of Charley (Julianne Moore) – another Brit in L.A. and a girlfriend from his youth who never quite gave up on him – but has failed. So, he decides to do something drastic. We are witness to this day, with George as a narrator, leading us through it. George is a careful man, and he has meticulously planned everything, but life has a chance of throwing both curveballs and second chances at one…
I’m sorry if the storyline seems a tad vague, but I do not want to give too much away from a storyline that is simply beautiful in its simplicity. (Adapted to the screen from the novel by Christopher Isherwood) . And technically, the film is in a word brilliant, no matter which kind of “technical” you look it. The acting is faultless through and through. All the actors were good but Colin Firth, in a word, shines. And Mr. Firth, coupled with the director Tom Ford, portray brilliantly the feeling of suffocation George lives with day in and day out; not only having to keep up a false front to hide his true identity (please recall it is 1962 – one cannot be a gay university professor in 1962) but also the pain he feels at losing Jim and somehow having to also stuff that pain into the false front he presents to the public. The filming and the successful changes in mood through the film ensure an absolute roller-coaster right to the end. And I felt, especially as I watched George “become” the George his workplace expects, that this was actually quite a familiar feeling. One doesn’t necessarily have to be gay to have to “become” someone your workplace expects. Careers dictate that we dress, act think (or seem to anyway) in whatever way. And in day to day life, normal folks can’t escape this situation. So much worse is the case for George who is grieving but is not allowed to share it for even a minute with anyone and must keep up a front of absolute normalcy starting from the day after his partner dies.
In short, harrowing but absolutely brilliant. Watch with tissues close to hand. And Mr. Firth gets my personal Oscar® for best actor any day of the week!