Spike Jonze etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
Spike Jonze etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster

27 Mayıs 2014 Salı

NOTHING QUITE MEASURES UP TO ``HER``

Those of you who know me in real life know that I still (yes, still) don`t have a smartphone. This makes me incredibly annoying if we are meeting up somewhere I`m not familiar with (not least because not only do I have no GPS, I have absolutely no sense of direction whatsoever – one friend of mine rather historically had to `navigate` me to a club for all of two hours. I was very lost.). Anyway, so I`m oldschool. I check my e-mail from home. I can`t tag myself in venues. The concept of a selfie is slightly lost on me and I don`t have Instagram. Now, 2014 may well be there year Sedef converts to smartphones but for now my little old `dumb phone` does me just fine. So when you guys all whip out your smartphones and get stuck to them doing this and that, I will make fun of you. My favourite quip is that you are surgically attached to your phone, or that you are in love with the thing. My quips a little more than jest, but Her makes the very valid point that artificial intelligence is here to stay and that well… Where there are intelligent beings capable of personal development … There will, inevitably be love.
Theodore (Joaquin Phoenix) is a writer. He works as a writer at the `handwritten letter company` composing letters for other people. He is good at what he does – he is considered one of the best writers in the company. He was once the life and soul of the party, he and his wife Catherine (Rooney Mara). All that is gone now. Theodore and Catherine are getting divorced and this has pretty much knocked Theodore for six. Theodore seems to be closing in on himself more and more and getting more and more depressed with each passing day until, completely on a whim, he buys a new, artificially intelligent operating system, OS1. OS1 is an artificially intelligent operating system designed to meet the users every need and be as close to being human as possible without having a body… Thus begins a very extraordinary relationship. Because the one thing Theodore needs from life is love. And Samantha (as the OS decides to call herself – voiced by Scarlett Johansson) may just be the girl for him…
Human VS Artificial Intelligence used to be something merely for the sci-fi geeks. You know, something you thought about if you happened to be a fan if writers like Isaac Asimov or series like Star Trek. But the technological developments of the last couple of decades mean that now artificial intelligence is, potentially, part of our everyday lives. Which in turn means mainstream art has begun to think about it. I mean fair dues; Spike Jonze is by no stretch of the imagination mainstream, but the point is that this is a film that was seen by a good many people, was awarded an Oscar and a good many other awards besides. I has raced its way through lists of iconic films and ``to watch`` lists. It has clearly struck a chord. And although relationships with computerized beings (what DOES one call them ??!!) are, for now, only really frequent in high-tech countries such as Korea and Japan, well, this may well mean that the trend is heading our way… 
I think this film has struck such a chord because it touches on a very sensitive point. A point only single people in their thirties will get. Your thirties is a time of life where most people around you are settling into their relationships. If not already married, people are moving in together, having children and generally taking step after step in that particular area of ``adult life``. Now don`t get me wrong, I am one of these single people. I am not discontent with my singledom either. But come on guys, put your hand on your heart and admit it. More or less frequently – depending on your nature – there are moments when you are filled with the sense that you will never find ``your other half``. There is a moment you look around at all the happy (or seemingly happy –but that is a different post all together) couples around you and think ``that will never be me``. And if you have been a confirmed bachelor, this is one thing, because you do probably know by now that just because you are single at the moment your world is not actually coming to an end. If however you exit a long-term relationship, it may feel as if literally all is lost. The whole story line with the friend Theodore got set up with annoyed me at first. It seemed to me, for a second, that it was a re-hash of that hoary old chestnut about clingy and slightly mad single women in their thirties (and there is definitely an element of this thought in the film. Think of the ``choking on the cat`` bit if you have watched the film.) Because clearly, if you are above a certain age and single there must be something very wrong with you *sigh*. But when I thought about it a little more calmly I began to get it. Because more often than not that IS how you approach potential new relationships if you are in Theodore`s shoes. If you were dumped I mean. Nothing and no one measures up to your ex who was, clearly, the most perfect person ever in the world. All those other people `left on the shelf` couldn`t even begin to compare to that perfection. Hence at first any new potential partner is riddled with faults. Even if they are not.
The other, not completely disconnected point is most clearly put across by Theodore when he talking about Samantha. On more than one occasion he says of Samantha that it is ``great to be with someone who is excited about the world``. I see what that is about completely, although I find it hard to put into words. We all get hurt at some point. We all get jaded. And rather unfairly we desperately search with this joie de vivre in others, without exactly being generous with handing it out ourselves. We have in Samantha someone who is only just discovering the world, combining all the qualities of a child, truly excited with new life, with the sensibilities of a grown woman.
Her is a very, very deep film. It asks a lot of serious questions about love and relationships. And although if were to go into a detailed analysis of what I think of each one I would have to possibly start up a new blog or something like that, I think there is one last very valid point to be made. In a world where we are more and more obsessed with appearances, Theodore ends up bypassing the gorgeous single woman he gets set up with and falls for a woman without a body. They have ``phone sex`` and go on dates ``via camera``. So whatever other points the film makes, I think Her makes it perfectly clear that for a relationship to truly work out you have to know to look below what is only skin-deep.

On the surface a simple boy meets girl… Only with so many twists and turns… Spike Jonze has truly outdone himself this time. Definitely a must-see. 

11 Kasım 2010 Perşembe

"ADAPTATION" OF A LIFETIME!

Those of you who have made my humble blog a place of regular visit may have noticed I enjoy writing. I only wish I could find more time to do it in! However, as someone who LOVES movies and loves writing, when I saw Adaptation – a film about writing – I had to see it. Technically, it was the second time I saw it, but the first time was years ago and it doesn’t seem to have made much of an impression on me (I couldn’t remember a thing about it) although God knows why… It’s a truly magnificent film on almost all counts…

Now, this film is based on true events. But please put an emphasis on “based”. Although there no doubt are real events it is based on, the film is by and large fictionalized by its scriptwriter Charlie Kauffman. The film is about – Charlie Kaufman. After gaining critical acclaim with Being John Malkovich, Charlie Kaufman (played here by Nicolas Cage. Funny, didn’t we see more of him in the past? Where is he now?) receives another commission. He is to adapt a book – The Orchid Thief by Susan Orlean (the acting legend Meryl Streep) – to screen. Doesn’t sound like a challenge for a professional scriptwriter, no? Well, yes in this case. Try as he might, Charlie can’t adapt the book; meanwhile, his infuriatingly outgoing and smooth twin brother Donald (also Nicolas Cage) decides to take up screenwriting as well and plunges ahead. Between his personal life that is crumbling at the edges due to Charlie’s timidity and pressure from the producers Charlie, begins to become slightly obsessed with Susan Orlean and the real life character of her book John LaRoche (Chris Cooper who won an Oscar ® for his performance in the film). As he struggles with the script and follows his obsession – with help from his twin brother Donald – he will make many discoveries… A lot of self-discovery but a couple of scandals as well…

Now, between Chris Cooper, Meryl Streep and Nicolas Cage, one isn’t surprised to come across some of the best acting of our times… Spike Jonze is well known as a director anyway, I’m not going to go on and on about him… And with a scriptwriter like Kaufman (Yes you DO know him actually. He wrote stuff like Eternal Sunshine on the Spotless Mind and Being John Malkovich) it is one HELL of a yarn… But it is interesting on another level as well – I mean this is a master talking about his trade. He even brings in one of the great academics in the field of screenwriting – John McKee in for a short spurt. But it’s not bookish in case you’re wondering; it’s HILARIOUS to start with. And then it takes a surprise turn and becomes INCREDIBLY exciting… It provides plenty of laughs, plenty of food for thought… All in all very similar to a good meal executed by the best of the profession for every course… And what about the reality of it? Well, just to start with Charlie Kaufman DOES NOT have a twin brother called Donald. And although the book The Orchid Thief does exist and Kaufman was supposed to adapt it, he couldn’t exactly – the book was too void of structure so he wrote his own frustrations in, and lo and behold “Adaptation” was born – bringing a trail of BAFTAs, Golden Globes, a Silver Bear and a Golden Bear nomination at the Berlin Film Festival for Spkie Jonze and much, much more… You will not be disappointed…

28 Ekim 2010 Perşembe

THERE IS ONE IN ALL OF US - COME "WHERE THE WILD THINGS ARE"

We all read this one right? I don’t think it’s that old as a book – my Mom doesn’t remember it - but I most definitely had a copy and I LOVED it… I was intrigued when I heard it was being adapted to film as well – the book is only about 15 – 20 pages long if I remember correctly! However with Oscar® nominated director Spike Jonze at the helm (director of “Adaptation” and the rather surreal classic “Being John Malkovich”) I was excited aswell. Then I saw the trailer and was desperate to watch it. Then I finally got my grubby paws on the film. I’m in love with it. I’ll go as far as saying I shed a little itty-bitty tear at the end…

Meet Max. He’s I would say around 10, he lives with his mother and older sister. He’s a bit of a loner and tends to throw tantrums and “act up” from time to time. He also has a very active imagination to make up for the loneliness… One day he runs away from home (his mother has a new boyfriend and his father is not around – I seem to have assumed the father was dead but there are no real indications in that direction) . Well, he runs and runs and runs, jumps into a little boat and crosses oceans and arrives at a mysterious island. This island is inhabited by monsters – big huge monsters with fur and horns and tails… They usually eat people but they don’t eat Max, in fact they end up making him their king… Max is a good king for a while and makes his subjects very happy. He becomes particularly close to one of the monsters – Carol (Carol’s a boy by the way – don’t question it, so was “Winne” the Pooh) the others are nice too though… However as we all know with that with great power comes responsibility and soon Max’s kingdom starts to unravel…

This categorically the MOST touching film I have ever watched – almost anyway… It is a children’s book it’s adapted from of course but I have a hard time classifying it as “fit for the whole family” – I mean you CAN show this to the little ones but a lot of subtleties of the film will be lost on the younger audiences… There is Judith and Ira – a monster couple, Alexander who no one ever listens to and who is the smallest, then Carol who tends to break things when he’s upset and who is pining for his “special friend” K.W (a girl in case you’re getting confused). In case my explanation was ambiguous this is very obviously a land of Max’s imagining – and the little details (I’ll leave you to discover them yourself) are endearing. The way Max and Carol learn to cope with life, the way they both “grow up”… And the cast doing the voiceovers is ASTOUNDING : James Gandolfini is Carol (I racked my brains as to who the very familiar voice was all through the film and had to check imdb), Lauren Ambrose (from Six Feet Under) is K.W. , Forest Whitaker is Ira and Oscar® winning actor Chris Cooper is another one of the monsters I didn’t mention (Douglas for those who watch – by the way don’t you ADORE their names). This is the story of a very imaginative little boy (The talented Max Records – who is 12 in the movie apparently – I got the age right!) thrashing out life and the whole “growing up” thing. Highly recommended to anyone with an imagination…