I try to
stick to the tradition of watching a horror film or two on Halloween. Even if I
am busy, or ill (or both) that is my way of celebrating the holiday. In my
native Turkey we do very little to celebrate this holiday so that is where it
stops for me. I mean, I can always do with an excuse for watching horror films
and eating candy. The Evil Dead was my second film this Halloween. I actually
checked out the trailer at around 2.00 in the morning, in the dark. It gave me
the willies so I left it to the morning. Now those of you who know me in real
life will know I do not scare that easily so I was surprised at feeling nervy
at a trailer. But hey, I had already watched one really spooky film so I cut
myself some slack.
I watched
this big boy the next day, in broad daylight, with cats and people milling
around noisily outside my door. I was TERRIFIED. I am a grown woman and we are
talking cringing, pausing the film multiple times, hiding from the screen
behind my fingers, the whole nine yards… Sam Raimi, you sick, sick puppy…
Of course
horror fans will know that The Evil Dead is now officially one of the archetypes
of a specific type of horror film. You know, a group of young people end up in
a remote spot in the woods (more often than not they are renting a cabin though
God only knows why you would choose to vacation bang in the middle of a weird
forest all by yourselves but hey… Suspension of disbelief and all that. ) So
yeah, our group of young people come to a remote cabin that they are renting as
a relaxing vacation. But the whole thing goes south very quickly when they
discover a sinister looking study on demonology left by the previous occupant.
Nobody takes the study very seriously and it is read out loud to much hilarity,
however… Unbeknown to them, they have
woken a curse… And it is coming straight for them…
The Evil
Dead was one of those infamous films that was banned for years in some
countries, edited heavily in others and definitely became the stuff of legend
very quickly in all. What gets you in the gut is the absolutely brutal savagery
of the film combined with a rather masterfully created atmosphere. And the absolutely savage violence is
unrelenting, no holds barred and in a word, not tastefully done at all. It is a
complete battery on your senses and after a while you are just reduced to
staring at the screen in terror, unable to turn away – pretty much like
watching a train crash. The fact that the film was made in 1980 and that some
of the effects were very patently achieved with stop motion and play dough is
neither here nor there. Raimi seems to know exactly where all your primal fears
are and how best to abuse them. You literally have no escape…
And yet,
the overkill (literally) on violence does not make you glaze over after a
while. The film is intelligent and humorous throughout and keeps you oddly
engaged, which is not good news for your nerves if you are basically engaged
with a cabin full of murderous and bloodthirsty demons. Several tropes are noted and turned on their
heads as they go along – there is, for example a typical character who would be
the –last girl – in normal films. You know how it goes, the couples get plucked
off one by one, the last, pure (often white and single) girl survives, thus
making the film a hidden ode to the patriarcle system. Well we start off with
two couples and the sister of one of the boys –familiar enough. But then the potential
last girl is actually the first to be cursed, shortly after being raped by a
tree (no that was not a typo) I might add. The film studies student in me wants
to also make something of the fact that she gets trapped under the cabin in the
cellar for a good part of the film after she is transformed into a demon, you
know, repressed female sexuality and all that jazz. Especially since our last
boys girlfriend is used quite openly to tempt him into the demonic fold. I did
tell you that the film hits you at your most primal – and sex is, as we all
know, a large part of all that.
This is not
one of those horror films you put on just to giggle at the monsters and the general
lack of common sense prevalent in slashers and B – movies. It’s a good, old
fashioned corner stone. It’s an actual source. Its future incarnations have diluted
it on the way, this is true, but even all these decades later when you re-visit
the source, you find that electrifying and truly demonic energy present in all
its glory, ready to inspire your dreams – and nightmares…
Beautifully written... I can't but help admire your command of the language and the ease with which it flows. A pleasure to read though I am in two minds about watching the film
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