So… I’m
finally through all last years’ Oscar films! Go me! As I have said multiple times, I
have been very curious about this film. And I have read a lot about it,
articles reviews and interviews. It’s funny that really, I usually try and
avoid that sort of thing – I don’t like to have my impressions “tainted”
by preconceptions. Yet, of course, this was pretty much
unavoidable. This may have been the reason I was slightly underwhelmed by the
film. Just slightly. I mean, don’t get me wrong, it’s an awesome film as we
will discuss below, but it just, I don’t know, I guess I was expecting a
little too much. But at the end of the day the film is yet ANOTHER film about
the true story of an extraordinary human being who overcame truly terrible
circumstances. I mean, I am not trying to reduce the story of Stephen
Hawking in any way shape or form here. But I’m just remarking it’s a specific
genre that Hollywood adores. And with a person like Hawking, almost
definitely one of the greatest scientific minds humanity has ever produced,
at the centre of it all the film was pretty much earmarked for “great
things”.
I guess the
key here is to focus on the films good sides – and they are many, not least the
acting – and recognise the film for the quality piece of work it is. Quality
does not always mean original of course, but then again, when mainstream cinema
is not exactly a Mecca for invention and complete artistic originality.
They don’t call it show “business” for nothing ya know…
In case you
have been living under a stone for the last six months, The Theory of
Everything is a biographical work, taking a look at the life of Stephen
Hawking. We pick up in his early days when he is embarking on his
PhD in physics on the one hand and his relationship with his
first wife Jane on the other. But along with the clear signs of brilliance he
shows and the deepening love between him and Jane, it slowly becomes apparent
something is not quite right… ALS (as we know it now) strikes when he is only
21 and the medical institutions of the time give him only 2 years to live. Stephen
and Jane however, are not to be defeated that easily. With Jane at his side,
Stephen embarks on a quest for “the theory of everything” which will form the
basis of his ground-shaking work over the decades.
I will be
honest with you, I didn’t recognise the name of director James Marsh straight
away. Silly of me really; as you know I am very much a documentary nerd and
actually really enjoyed Marsh’s two well-known documentaries Man on a Wire and project
Nim. Marsh brings to the documentary a certain sense of… Calmness. Of course
Hawking is a larger than life character and his relationship with Jane
is characterised by ups and downs of extraordinary proportions. But
through camera work and beautiful staging of little moments mean that while the
film is indeed the story of a famous couple with an extraordinary life,
it is also very clearly a deep and insightful film about living with
disability, as the disabled and as the carer. And the cast – the award winning
cast one should say – are absolutely essential in this portrayal. I
distinctly remember reading several interviews with Eddie Redmayne where he explained
that in his on screen physical transformation (due to ALS), no prosthetics
were used at all. I mean this makes sense, After all any transformation brought
about by the disease after all is a deformation of the body and muscles – the patients
are not handed prosthetics they are obliged to wear. But it still takes
a whole new level of dedication and study to form and hold this transformation
in the time it takes to get the footage to make a 2 hour film. I was especially
touched – and impressed - by “day
dream” sequence when Hawking watches a pencil fall during a q and a
session and dreams of being able to just get out of his chair and put it
back on the table. On the one hand watching Redmayne “unfold” back into (something a lot closer to) his
real self is extraordinary to behold, on the other hand, the simple yet at this point
completely unattainable wish (putting the pencil back on
the table) completely puts into perspective what ALS and other
conditions like it do to the human body.
And a
mention simply MUST go to the extraordinary Felicity Jones who plays
Jane. In the beginning of course, her part is relatively simply,
she is the adoring wife and partner, the beautiful girl who sweeps
Hawking off his feet. But then of course, with the advent of ALS everything
changes. Her role as a carer gets harder and more complex every day,
everything changes, every day brings new challenges to the relationship
and Jones portrays this constant evolution with subtlety, grace and a
LOT of talent.
The film
combines the careful eye of a documentary filmmaker picking up on
details you and eye would miss, with all the elements of a period film
(well quite a chunk of the film is set in the ‘60s you know) and an
extraordinary biography. The result is not a mish-mash but a glorious
combination of the best of all the worlds. I advise you put any cynicism
to one side and get stuck straight in. There is a lot to enjoy. A lot.
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